can you show me an example of how you would use the drums here (also if you know how to use chromaticism in the drum beats correctly that would be great)
A) Ya those snares are annoying, if you changed 90% of it to some loud toms (both of the good “metally” ones ) I think you could get a powerful yet good sounding song there…
Frontline… QVX showed me this as an option, but I don’t work well with your style sadly ix
As you said yourself to me, you just do alot of flats, not randomly, but I just don’t like, since I prefer it to be a definite scale that I can follow (If I can follow one )
But It sounds, well… there is only one word for it… badass lol
Yeah I am definately not a drum master, and I was experimenting so I don’t usually create amazing stuff, and yeah the toms could work, if you want a scale, try one of the “Modes of limited transposition” they are fun and each can make some kinds of metal riffs, I like the 2nd 4th and 5th.
Agreed
I use the scale:
Cb, C, C#, Db, D, D#, Eb, E, E#, Fb, F, F#, Gb, G, G#, Ab, A, A#, Bb, B, B# XD
(yeah i know theres a few that can’t be used…but who cares?)
not exactly… the chromatic scale that is probably what you are thinking of doesn’t have the flat sharp redundancy that QVX described in his scale, although functionally they are the same.
I was giving scales that can work in my style, major and minor often have trouble with that, for example if you wanted to shift a power chord up a tritone, you would have to break the major/minor scale.
Also I’ve been making a list of the music I listen to: link → Music
note that most of the bands on there are from the “scouting mission” I did a few weeks ago some of them might not stay on there, and there are other bands that need to get on there that aren’t there yet. Also I will be adding reviews and more links.
I’m back and I’m gonna start writing like hell soon, I got a music theory class underway so expect some crazy secondary dominants and anticipations and all that.