Been working on this for some time now.
Enjoy! 
6 Likes
wow this is very good 5/5
I agree more: IT’S EPIC!!!
thank you!
HOW!?
Its so epic and it was on the site more than a millisecond. and its still not featured…
1 Like
Heh… Thanks
Dynamyte… If it’s so epic, why not put it on your “my favorite songs” on your profile
xP
Done… LoL
No offense, not that great. Strings should be extended a little to keep from being so much space between them. At sheet 33, I really did not like the lack of bass. The snare drum got worse and worse. The rolls were OKAY, but not great. Maybe if you used less of the rolls, but I’m unsure how to fix that. The bass was good, and I can’t really complain.
3.5/5
About sheet 33, the whole song is not about the bass. Always needs to be a spot in a song where the treble really comes out. IMO
But, you are entitled to your opinion…
I did that for syncopation, I kinda liked it! 
Edit: oops double post, srry.
Bass is just as important as treble.
FRICK YEAH IT GOT FEATURED
Woa someone featured this? thanks!.. whoever did it. (hey this is the first song that got featured of mine without me asking! xD xD)
Can whoever featured this tell me? I would really like to know… Starburst?
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In the thead you said " geive em what they want breakin down ( or something of that sort )
Then i said “@ george The people want PERPLEXING PERIL!! AM I RIGHT!”
So it might have been my suggestion ( i fell like a good person nao )
xP
Can’t leave a huge review this time as I just finished one but here are a few critiques I have for it at this point in time:
The number one problem I see with the song is structure. To explain, the song doesn’t really feel that well thought out or planned, it just seems to be spontaneously jumping from one idea to the next with no regards to the listener. The intro doesn’t really fit in, and before sheet 15 there are all these huge gaps in the sound that just don’t compliment anything.
Now I will say that after sheet 15 the song does improve a lot, most notably in the bass. The bass is such a huge part of this song’s mood and pacing that the enormous gap in sheet 16 and 21 is way too noticeable. In sheet 22 it’s not quite as bad because there is a drum fill in the space, and having the bass leave emphasizes the fill’s importance, which, since it’s a fill, is good.
Since I’ve already written a lot I’d like to leave you with this point. The song has very little structure, and since the bass usually plays a whole note constantly it becomes the driving force of the song. Any time it is missing the song feels like it’s lost it’s way, and what makes this worse is the bass end of the mix becomes barren, making that bass one of the most important instruments in this song. This is why most newer songs rely heavily on the drums to drive a track, because the drums can get away with being less interesting so long as the more important listening interests (in this case the violin), are being paid attention to.